n. [ F. impression, L. impressio. ] 1. The act of impressing, or the state of being impressed; the communication of a stamp, mold, style, or character, by external force or by influence. [ 1913 Webster ]

2. That which is impressed; stamp; mark; indentation; sensible result of an influence exerted from without. [ 1913 Webster ]

The stamp and clear impression of good sense. Cowper. [ 1913 Webster ]

To shelter us from impressions of weather, we must spin, we must weave, we must build. Barrow. [ 1913 Webster ]

3. That which impresses, or exercises an effect, action, or agency; appearance; phenomenon. [ Obs. ] [ 1913 Webster ]

Portentous blaze of comets and impressions in the air. Milton. [ 1913 Webster ]

A fiery impression falling from out of Heaven. Holland. [ 1913 Webster ]

4. Influence or effect on the senses or the intellect hence, interest, concern. Reid. [ 1913 Webster ]

His words impression left. Milton. [ 1913 Webster ]

Such terrible impression made the dream. Shak. [ 1913 Webster ]

I have a father's dear impression,
And wish, before I fall into my grave,
That I might see her married. Ford. [ 1913 Webster ]

5. An indistinct notion, remembrance, or belief. [ 1913 Webster ]

6. Impressiveness; emphasis of delivery. [ 1913 Webster ]

Which must be read with an impression. Milton. [ 1913 Webster ]

7. (Print.) The pressure of the type on the paper, or the result of such pressure, as regards its appearance; as, a heavy impression; a clear, or a poor, impression; also, a single copy as the result of printing, or the whole edition printed at a given time; as, a copy from the fifth impression. [ 1913 Webster ]

Ten impressions which his books have had. Dryden. [ 1913 Webster ]

8. In painting, the first coat of color, as the priming in house painting and the like. [ R. ] [ 1913 Webster ]

9. (Engraving) A print on paper from a wood block, metal plate, or the like. [ 1913 Webster ]

Proof impression, one of the early impressions taken from an engraving, before the plate or block is worn. [ 1913 Webster ]

n. The quality of being impressionable. [ 1913 Webster ]

a. [ Cf. F. impressionnable. ] Liable or subject to impression; capable of being molded; susceptible; impressible; as, a bad influence on impressionable youths. [ 1913 Webster ]

He was too impressionable; he had too much of the temperament of genius. Motley. [ 1913 Webster ]

A pretty face and an impressionable disposition. T. Hook. [ 1913 Webster ]

n. The quality of being impressionable. [ 1913 Webster ]

n. [ F. impressionnisme. ] (Fine Arts) The theory or method of suggesting an effect or impression without elaboration of the details; -- a disignation of a recent fashion in painting and etching. [ 1913 Webster ]

n. [ F. impressionniste. ] (Fine Arts) One who adheres to the theory or method of impressionism in art; especially, a painter who paints in the impressionistic style; as, the skyrocketing prices of paintings by the French impressionists. [ 1913 Webster ]

a. Pertaining to, or characterized by, impressionism. [ 1913 Webster ]

a. Having the quality of not being impressed or affected; not susceptible. [ 1913 Webster ]

n. (Painting) A theory or practice which is a further development, on more rigorously scientific lines, of the theory and practice of Impressionism, originated by George Seurat (1859-91), and carried on by Paul Signac (1863- -) and others. Its method is marked by the laying of pure primary colors in minute dots upon a white ground, any given line being produced by a variation in the proportionate quantity of the primary colors employed. This method is also known as (stippling). [ Webster 1913 Suppl. ]

n. (Painting) In the broadest sense, the theory or practice of any of several groups of painters of the early 1900's, or of these groups taken collectively, whose work and theories have in common a tendency to reaction against the scientific and naturalistic character of impressionism and neo-impressionism. In a strict sense the term post-impressionism is used to denote the effort at self-expression, rather than representation, shown in the work of Cézanne, Matisse, etc.; but it is more broadly used to include cubism, the theory or practice of a movement in both painting and sculpture which lays stress upon volume as the important attribute of objects and attempts its expression by the use of geometrical figures or solids only; and futurism, a theory or practice which attempts to place the observer within the picture and to represent simultaneously a number of consecutive movements and impressions. In practice these theories and methods of the post-impressionists change with great rapidity and shade into one another, so that a picture may be both cubist and futurist in character. They tend to, and sometimes reach, a condition in which both representation and traditional decoration are entirely abolished and a work of art becomes a purely subjective expression in an arbitrary and personal language. [ Webster 1913 Suppl. ]

n. A second or repeated impression; a reprint. [ 1913 Webster ]

See high.
See honorable.
See hopeful.
See hostile.
See hurt.
See hhurtful.
See hygienic.
See ideal.
See idle.
See illusory.
See imaginable.
See imaginative.
See immortal.
See implicit.
See important.
See impressible. See >Unimpressible.
See impressionable.
See improvable.
See impugnable.
See incidental.
See increasable.
See indifferent.
See indulgent.
See industrious.
See inflammable.
See influential.
See ingenious.
See ingenuous.
See inhabitable.
See injurious.
See inquisitive.
See instructive.
See intelligent.
See intelligible.
See intentional.
See interesting.
See interpretable.
See inventive.
See investigable.
See jealous.
See joyful.
See joyous.
See justifiable.
See kingly.
See knightly.
See knotty.
See knowable.
See laborious.
See ladylike.
See level.
See libidinous.
See lightsome.
See limber.
See lineal.
See logical.
See lordly.
See losable.
See lovable.
See lucent.
See luminous.
See lustrous.
See lusty.
See maidenly.
See makable.
See malleable.
See manageable.
See manful.
See manlike.
See manly.
See marketable.
See marriable.
See marriageable.
See marvelous.
See masculine.
See matchable.
See matronlike.
See meek.
See meet.
See melodious.
See mendable.
See mentionable.
See mercenary.
See merciable.
See meritable.
See merry.
See metaphorical.
See mighty.
See mild.
See military.
See mindful.
See mingleable.
See miraculous.
See miry.
See mitigable.
See modifiable.
See modish.
See moist.
See monkish.
See motherly.
See muscular.
See musical.
See mysterious.
See namable.
See native.
See navigable.
See needful.
See negotiable.
See niggard.
See noble.
See objectionable.
[ 1913 Webster ]

[ 1913 Webster ]